[Header]
Version=Nord Modular patch 3.0
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[/Header]
[ModuleDump]
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[/ModuleDump]
[ModuleDump]
0 
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[/ModuleDump]
[CurrentNoteDump]
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[/CurrentNoteDump]
[CableDump]
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[/CableDump]
[CableDump]
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[/CableDump]
[ParameterDump]
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[/ParameterDump]
[ParameterDump]
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[/ParameterDump]
[MorphMapDump]
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[/MorphMapDump]
[KnobMapDump]
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[/KnobMapDump]
[CustomDump]
1 
1 1 0 
2 1 0 
3 1 0 
20 1 0 
24 1 1 
[/CustomDump]
[CustomDump]
0 
[/CustomDump]
[NameDump]
1 
1 Pitch
2 Mask
3 Sample
4 Mask
5 Invert
6 S&H1
7 S&H2
8 Interpolate
9 Wave 2
10 AD
11 Rob Hordijk
12 Keyboard
13 
14 Wave 1
15 Wave balance
16 ADSR
17 DC Block
18 Fuzz input
19 
20 Clock
21 
22 Brightness
23 LFO<>AD
24 LFO
25 
[/NameDump]
[NameDump]
0 
1 Rob Hordijk
2 Fat
3 Lo
5 Crossover Frq
6 
7 Hi
8 Chorus
9 Hi
10 
[/NameDump]
[Notes]
While the weekend was developing in a suitable slightly doped state (seems
everybody here has a flu), suddenly a thought passed by that the crossfader
module can be used to interpolate between a current and a previous output of
a control sequencer to create a smooth wavetable oscillator. It proved that
using the first quadrant of a sine^2 function to interpolate the transitions
sounds the most smooth. Nice, as now only three DSP-cheap sinewave
slaveoscs, a gain controller, two S&H's, an inverter, the crossfade mixer
and a control sequencer to hold the table are needed to do the trick.
.
Using two (or more) control sequencers allows for fades between waveforms.
Its quite a cheesy sound, so to make the sound a bit grittier a fuzz is
added.

The control sequencers give up around E5 or so, from there up the patch
starts to freak out. Which can be quite nice when e.g. controlled from an
external sequencer.

[/Notes]